Lomochrome Purple is a psychedelic film stock from Lomography, based on Kodak Aerochrome. The colour shifts are controlled (I use the term loosely) by changing the ISO you shoot it at – set it as a 50 or 100 ISO, and you’ll end up with a redder hue to your greens, or at 400 for a more indigo look.
Continue reading Colour shifts: Experimenting with Lomochrome Purple
Freelensing! What’s that, I hear you scream? It’s the technique of removing the camera lens from the body, and shooting by tilting it to find the in-focus spot. There are expensive Lensbaby lenses that will enable you to do this, but I prefer the DIY method. Using a film camera, I don’t have to worry about dust on my sensor either. Inspired and guided by Lina Forrester’s fantastic blog, I decided to use up the rest of a roll of Agfa Vista 200 on this experiment.
After the almost-documentary photography of Burning Nest, I wanted to try something a bit creative, and without much expectation of an end result. I bought a job lot of cheap Cokin filters from eBay a while ago, including some shaped bokeh filters, and a multi-image glass filter, that splits the image into 5 parts. While visiting a friend in Norwich, we got some fairy lights out of his loft, and shot a roll of images in the dark using the filters. Then, I rewound the film (being careful to leave the leader out) and re-shot the roll in the nearby woods, Mousehold Heath.
If you’re going to try out a new film or a new camera, you usually do one or the other. This reduces your chance of failure, and gives you the opportunity to assess the film or camera properly (without too many new variables). However, on this occasion I decided to throw myself in at the deep end. A new film (Lomography Redscale) and a new camera, the Lomography Konstructor! The Konstructor is a DIY kit camera – lots of plastic bits you put together yourself.
