The Peak District on Ilford Pan 100

Last month we took a trip with some friends to a tiny camping barn in the Peak District, for a 30th birthday celebration. Lots of laughs were had, new friends made, and I struggled to work through a roll of film. Not for any particular reason, I just couldn’t find anything that looked as good through the viewfinder as I expected.

So I was pleasantly surprised when I finally developed the roll of Ilford Pan 100 yesterday, (in Rodinal, 1+25, 9 minutes). The Pan 100 was a gift from the Emulsive Secret Santa last year, and I’d not used it before. It gives a wide range of tones, some fantastic sharpness and deep, lovely blacks. I’ll definitely be buying another couple of rolls!

A tale of a ruined film

It’s perhaps inevitable that at some point in a film photographer’s life, he or she will mess up a roll. I’ve been having ongoing problems with developing at home, and today was no exception. Yesterday was Grillstock, a festival of food and music here in Bristol, and I took my new 24mm Superwide lens out, loaded with a fresh roll of HP5+. I shot a whole roll in one day, taking loads of photos of the event in the sunshine, as well as lots of shots of my friends and I at night, drinking and chatting and having a lovely old time.

This morning (despite my colossal hangover), I attempted to transfer the roll onto a reel, in a changing bag. Same as I have done, many times previously. However the film just wouldn’t go onto the reel – it kept sticking and tearing and buckling. As I kept trying, getting more annoyed, making the inside of the bag sweatier (nice), the film kept buckling and creasing. After about 30 minutes of annoyance, I eventually had to cut the roll to eventually get it onto the roll. I resigned myself to the fact that this roll was probably ruined – the heat and moisture in the bag had made section of it stick to itself, which is not a good thing for delicate emulsion. I processed it anyway (stand developed in Rodinal 1:100 for an hour), fixed and hung it up to dry. Checking the date on my fixer, I groaned again – it was WAY out of date, and cloudy. This roll was doomed.

One small thing to take from this disappointing morning, was that I seem to have alleviated some of the problems of bromide drag, I’d experienced previously. I did this by pre-washing the film, and keeping the tank in a water bath while it sat for an hour. There is still some evidence of drag, but only on the portions of film where it was also very creased – this probably didn’t help.

So, what did I learn? I need to find out why my reels are sticking and tearing my film. I need to buy more fixer (in a smaller quantity, perhaps). I also need to perfect the pre-wash and water bath technique, to hopefully eradicate bromide drag altogether.

The few salvageable photos are below – I like the energy and fun times captured, but I can’t help but feel disheartened with the results, technically. I’ve been enjoying colour photography a lot more, recently, and this episode has only helped push me towards colour, as I don’t develop it myself!

If anyone has any rips for my reel problem, I’d love to hear them in the comments!