Last month we took a trip with some friends to a tiny camping barn in the Peak District, for a 30th birthday celebration. Lots of laughs were had, new friends made, and I struggled to work through a roll of film. Not for any particular reason, I just couldn’t find anything that looked as good through the viewfinder as I expected.
So I was pleasantly surprised when I finally developed the roll of Ilford Pan 100 yesterday, (in Rodinal, 1+25, 9 minutes). The Pan 100 was a gift from the Emulsive Secret Santa last year, and I’d not used it before. It gives a wide range of tones, some fantastic sharpness and deep, lovely blacks. I’ll definitely be buying another couple of rolls!
I recently (grudgingly) sold my Nikon Coolscan IV 35mm scanner, to be able to buy a flatbed that could accommodate both 35mm and 120 negatives. I’m still not massively sold on the flimsy film holders, as opposed to the easy-peasy “feed it in the hole and wait for the clanging to stop” method of the Coolscan. However, I can’t fault the quality of the scans, even if the method of obtaining them is a bit of a pain.
These shots were taken in the spring, locally to me – a test of my new 50mm Bronica SQ-A lens, and mostly metered on my phone or by eye (still not perfect, but not bad!).
I scanned and processed these all at night, in the dark… which meant I didn’t spot the MASSIVE amounts of dust on the negatives. At some point I’ll go through and clone it all out, but for now, it’s nice to have them properly scanned.